Sept. 18, 2025

10. How to Be a Supportive Lovejoy Fan - an Interview with Music Industry Pro, Vinny Ribus

10. How to Be a Supportive Lovejoy Fan - an Interview with Music Industry Pro, Vinny Ribus

Guest Vinny Ribus knows the music industry inside and out. Listen and learn how Lovenjoyers can best support and advocate for the band. He even has some ideas for Lovejoy too! Beyond streaming, fans have the power to really impact the success of a band and now, with their debut album, One Simple Trick on the horizon, they could REALLY use our help!

Lesley and Dave talk about all of the news that's popped up over the past few weeks including behind-the-scenes video on LVJY ETC for the music videos, With Rob as My Witness, and Pay & Display. A new single and an intimate album release gig announcement make this an incredibly exciting time for Lovejoy and the fandom.


Please take a moment to visit Vinny's website, www.cartne.com A robust source for music industry knowledge and lessons presented by experts of their field!


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Hello and welcome back to the
Lovejoy Nation Podcast.

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It is a busy time in Lovejoy
Land and we are all grateful and

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blessed, as Dave would say.
Absolutely.

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And what have you been up to
since we last recorded Dave?

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Well, hello, what have I been up
to?

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Nothing really.
It's all, as we've sort of said

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previous back to school, back to
work after the summer.

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The rains come in, the evenings
are getting darker, but I am

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having a little midweek
vacation, as you folks say.

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I've got one of them coming up
out in the New Forest, so I'm

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looking forward to that.
What else am I up to?

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Wow.
There is something like a gig in

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London, but I can't remember who
that is.

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What about yourself?
When you remember Liz now.

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I will OK.
I'm back to the grind, back to

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school.
That's what's mostly going on

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now.
We have some fun things up

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ahead.
Renfair and a record fair at the

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Brooklyn Flea Market coming up
next weekend.

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It's about 40 different record
stores are coming together and

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bringing their wares.
Yeah, it's going to be fun.

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So hopefully the weather
cooperates.

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Unlike you, we've had like no
rain here.

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We've had a a drought, it's very
dry and actually we all want the

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rain, which is kind of unusual,
I know, but.

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We've pretty much had nearly a
fortnight of rain on and off

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now, in which, to be fair, the
last time we had rain was when

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you were in England.
So you had a dry patch too, but

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dry spell?
Yeah, absolutely.

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So what's on the show tonight?
Well, let's, oh, let's just

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first address that.
You only hear 2 voices today

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because Angie is tied up with
the being Mom taxi to Pebble

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today and couldn't make it.
She couldn't join us.

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But she did join us for the
interview that will come after

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we talk.
So the yeah, we have some

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Lovejoy news to talk about since
we last spoke.

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There was a short.
I think we both can agree that

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it was too short.
Very yes.

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Far too short.
Behind the scenes video that

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Lovejoy put out on Lovejoy
etcetera.

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There spin off channel on
YouTube for behind the scenes

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types of things.
Yes they did it behind the

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scenes for the rob video and pay
and display A2 Fer if you will.

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But yes too short.
It was only 9 or so minutes,

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definitely 10 minutes.
Just under 10 minutes.

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It was good.
It's great.

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I like that sort of thing
because I like to do stuff

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effectively behind the camera,
behind the scenes.

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So that's my thing.
Interesting to see the crew and

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the the other artists and and
makeup and everything like that.

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I really do like that sort of
stuff.

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Did it's fun to see the the
goofy funny thing?

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Yeah, absolutely.
From the band.

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Yeah, the goofiness, the
silliness.

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But yeah, it was it could have
done with another at least 15

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minutes.
I always think that when they

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have, they must have so much
footage from these things and

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concerts and festivals and such
that they're just saving it for

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something else.
So we just have to be patient.

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We'll see more down the road.
Maybe.

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Yeah, never know.
And then Noisiak posted.

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Was it a story or a post where
they showed how they did the

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elevator?
It was both actually.

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Yeah how how they done the
elevator.

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Been really enjoying noisy acts
posts.

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That was neat to see.
And I was thinking about it

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while now watching the video
again, how it worked.

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You know that you you, you
believe that it's a real

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elevator working, but in reality
it's cleverly done to look like

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obviously a real elevator.
And I was curious how they did

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the when the elevator like stops
and they like sort of bounce, do

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they just all let's bounce at
the same time or?

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Literally yes, it is a countdown
543. 21 That's cool.

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It's like I'm dating myself, but
actually this is way older than

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me.
The Music Man movie, when

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they're on the train, I've seen
it on stage as well.

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When they're on that in that
train scene, they're all

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bouncing.
Yeah, yeah, yeah, you.

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Know they're all just bouncing,
yeah, but it works.

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That's very effective.
I love that.

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Yeah.
So that was fun.

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And then?
Yeah, it really was fun.

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I know the rest of the band
didn't really have when I say

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much to do, obviously they had
to film their footage of.

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The right.
Music.

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It was good to see them hanging
out in the back and.

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Being around for the the filming
in general and I liked when Will

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came back over to them.
They're like, oh, I'm in the

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band again and and just seeing
him be silly and happy behind

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the scenes when these shoots,
he's looking so scared or sad or

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upset.
It is nice to see the levity

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when the camera was enough.
Absolutely.

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Yeah, we'll take as much as we
can get a bit.

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Yeah, if I'm out and about and
they're filming movies, TV

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programs, whatever, I really
enjoy just watching the behind

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the scenes.
It doesn't matter who's the

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actor is, I just really enjoy
it.

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So yeah, that was good, just
like we said numerous times,

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just far too short.
Come on, love, Joy.

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Yes, you got a whole channel
there.

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You can do more.
Absolutely.

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You know, not like you have
anything else going on.

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Yeah, and what else was
released?

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There was something about a gig
on the 24th of September.

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Is that the gig you were talking
about earlier that you couldn't

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remember?
Yeah, that's it.

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It's 24th of September,
Islington O2, Lovejoy dropping

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there album show what can I say?
For the first and only time, I

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believe they're going to play
the show debut album in its in

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its entirety in front of an
audience.

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Yeah, which says to me that
you're not going to get all the

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songs on tour.
No, guessing not.

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Yeah, I guess that isn't a
thing.

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I was mistaken when I thought
like, maybe for the new album

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they'll do all the songs, but
now they'll do a mix of old and

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new.
Yeah, and I got tickets, so I'm

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going.
How'd you manage that, Dave?

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How'd you manage to get those
tickets, the other high demand?

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What can I say?
Gave Ash a ring.

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No I didn't.
No I didn't.

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No I didn't.
Obviously we've spoken about on

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previous pods and I missed out
on a presale.

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I was out in the middle of
nowhere, Signal wasn't great and

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I got online about, well, I got
on at 10:00 but it just wasn't

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happening.
Then I I had to drive a mile or

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so down the road and about 5
past 10 I come back on and they

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were gone.
I'm not going to lie, absolutely

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gutted.
So then a couple of days later

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I'd spoken to you guys and you
both got up early to help me

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out.
Sure did.

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I think we all got online at
10:00, four AM your time and

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Angie's time.
I got straight in, nothing, sold

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out, refresh, refresh, refresh,
nothing.

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Nothing, nothing.
And you got tickets in the bag.

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Isn't that crazy?
All the way from New Jersey.

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I know all the this is what got
me is the fact that you managed

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to get them in New Jersey
magically.

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Yeah, I'm 70 miles down the
road, 60 miles from Brighton and

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it's like couldn't get them.
But anyway, yeah, I absolutely

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chuffed A bits and if I could I
would have flown across and I'd

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be sat next to you now doing
this because I would have flown

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across and given you a big hug.
And as I said, I'd much rather

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be flying over there and lose my
passport in the process,

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honestly.
Yeah.

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Yeah, I'll make the trip.
Dave.

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You don't have to come all the
way here.

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I don't mind going there.
For the cake.

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I would love to.
So I'm it's going to be a bit of

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a mad dash after work to get to
London blah blah blah.

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But I think it's going to be
worth it, I really do, to hear

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every single song from the album
before it's released.

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Try to like absorb and like
memorize every minute of it,

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right?
Yeah, this is it.

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Don't know whether we're going
to be allowed to film it.

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I really don't.
I'm not expecting to.

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Screaming fans.
It's going to be insane.

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I don't know whether there's
going to be merch there.

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I don't know what's going to be
there so.

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Cool.
And people were confused a

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little bit because there are two
rooms at the venue.

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There's also another gig going
on the same night, same time.

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Yes, and there's plenty of
tickets left for them if you

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want to go and see them.
That's funny.

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Is it an Australian band or
something like that?

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I know they're another indie
band, but they've got the main

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stage downstairs.
That was the question people

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were asking.
Is this the 800 person room or

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the 250 room?
Yeah, I believe it's the 250

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room, judging by how quick those
tickets went.

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Yeah.
I don't know how many tickets

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are sold, whether it's 200 and
they've got 50 guests coming.

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I really don't.
But as far as we know, it's on

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the 250 room.
It's going to be amazing and.

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I know that you'll be having
some goodies in your pocket to

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possibly give out to those in
the.

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Queue is correct.
I will be having pocketfuls of

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Nuggets.
I take as many as I can because

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I don't think I'm going to take
a bag because of the, you know,

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you're not really allowed to
take bags in.

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Right.
You don't want to hold up

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security and all that.
Absolutely.

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You need some Wilbur pants with
lots of pockets.

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Yeah, that's exactly what I'm
I'm going to be wearing.

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My, my I call them army
trousers.

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My cargo pants with all the
pockets I'm going to need.

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My microphones.
You never know, you have to

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bring a microphone well.
This is it.

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I mean, I'm hoping to grab a
chat with a few people out in

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the queue, so if you are about
give me a shout, that's what I

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00:11:03,480 --> 00:11:04,880
look like.
If you want to be on the

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podcast, yeah.
Absolutely.

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I'm not sure about after the gig
because we might have to leg it

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to get a train.
I'm sure it's going to be late.

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Are we going to have another
band on before support group?

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00:11:21,960 --> 00:11:27,920
Are they just going to come in
and maybe do a few songs and

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then right, This is it.
We're now going into the album.

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00:11:33,760 --> 00:11:36,200
You know who?
Knows yeah maybe they're going

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to do a little chit chat
beforehand I bet I hope people

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00:11:41,200 --> 00:11:44,000
are quiet enough in the crowd to
like just so you can hear it

200
00:11:44,720 --> 00:11:46,760
that's what makes me crazy
sometimes when everybody's

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screaming while they're trying
to talk so.

202
00:11:49,040 --> 00:11:52,960
Yeah, but I'm really looking
forward to it.

203
00:11:53,240 --> 00:11:56,800
Oh my gosh, like I'd be pinching
myself for you.

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As I said to you, I felt like I
was handing over my newborn baby

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00:12:01,520 --> 00:12:03,920
for adoption when I changed
those tickets to you.

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00:12:05,560 --> 00:12:10,200
Yeah, I really don't know how
grateful I was.

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00:12:10,200 --> 00:12:15,640
And after I know I said to you,
right, I got to get on because I

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00:12:15,640 --> 00:12:20,520
was at work and I stopped.
But I put the phone down, and

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00:12:20,520 --> 00:12:23,800
that sigh of relief, the weight
of the shoulders.

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The realization like this is
really happening.

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00:12:26,680 --> 00:12:28,560
This is really happening.
And it was like, oh.

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00:12:31,560 --> 00:12:35,120
No, I'm so happy for you.
So it can't even be, can't even

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00:12:35,120 --> 00:12:38,840
be mad.
No, Everything I can possibly do

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00:12:39,520 --> 00:12:45,520
and are allowed to do, I will
send across pictures of March.

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00:12:45,520 --> 00:12:48,680
Pictures of whatever.
And your eyes and ears for the

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00:12:48,680 --> 00:12:50,880
pod too, so that's valuable.
Absolutely.

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00:12:50,880 --> 00:12:55,680
So it's not just us, Yeah.
Absolutely, and I should be

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taking my daughter.
We've got to wait for her to

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come home from school and then
we're straight on, literally

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00:13:02,760 --> 00:13:06,400
straight on a train to London,
get across London.

221
00:13:06,720 --> 00:13:09,360
So cool.
Grab some food from somewhere.

222
00:13:10,120 --> 00:13:15,040
Yeah, the best.
Yeah, absolutely.

223
00:13:15,080 --> 00:13:19,920
Check back here on the next
episode for for whatever we've

224
00:13:19,920 --> 00:13:21,920
got.
But yeah, keep an eye on Lovejoy

225
00:13:21,920 --> 00:13:25,960
Nation over that evening because
like I say, anything that I can

226
00:13:25,960 --> 00:13:31,960
get pictures to match wise
photos, anything I should be

227
00:13:31,960 --> 00:13:35,360
sending them straight across and
anything I send across should be

228
00:13:35,360 --> 00:13:37,080
able to go straight out.
Very cool.

229
00:13:37,080 --> 00:13:39,840
I'm looking forward to it.
And it's what if we have 10 days

230
00:13:39,840 --> 00:13:42,640
away from as of today, right?
That's right.

231
00:13:42,960 --> 00:13:46,720
Date of recording.
Yes, absolutely.

232
00:13:47,280 --> 00:13:50,200
Yeah.
All right.

233
00:13:50,200 --> 00:13:53,400
And then we got a surprise
announcement this past Friday

234
00:13:53,400 --> 00:13:55,000
that I don't think anyone is
expecting.

235
00:13:55,800 --> 00:13:58,200
Someone on Reddit was like,
yeah.

236
00:13:58,240 --> 00:13:59,880
Absolutely.
Wasn't that funny?

237
00:14:00,000 --> 00:14:02,440
One person predicted it.
I predict we're going to get a

238
00:14:02,440 --> 00:14:05,200
new single tomorrow.
This was on on a Thursday.

239
00:14:05,600 --> 00:14:08,960
Yeah.
And it was like, yeah, OK, on my

240
00:14:08,960 --> 00:14:11,280
word.
Then it happened, Yeah.

241
00:14:11,280 --> 00:14:15,200
So we're getting a a new single
this Friday, September 19th,

242
00:14:15,800 --> 00:14:18,000
Common touch.
And we heard a little snippet.

243
00:14:18,000 --> 00:14:20,160
I think we have 28 seconds of of
the song.

244
00:14:20,560 --> 00:14:22,680
Sounds really good.
Yeah.

245
00:14:23,360 --> 00:14:28,520
Having said that pane display,
we were all like Oh my God, wow

246
00:14:28,520 --> 00:14:29,800
and.
Then.

247
00:14:29,800 --> 00:14:33,800
It started off totally different
how we were expecting.

248
00:14:34,360 --> 00:14:40,480
So the 28 second snippet, love
it sounds really really good.

249
00:14:41,640 --> 00:14:43,200
We've just got to wait for the
rest.

250
00:14:44,720 --> 00:14:48,160
Yeah, I'm curious for what
little, as Angie always said,

251
00:14:48,280 --> 00:14:51,200
and I guess always say crumbs,
what crumbs will we get this

252
00:14:51,200 --> 00:14:54,880
week leading up to Friday?
What from little Tik toks or

253
00:14:54,880 --> 00:14:58,320
videos or things?
I can't believe it's so soon

254
00:14:58,880 --> 00:15:02,440
after the last one.
I honestly was expecting it to

255
00:15:02,480 --> 00:15:07,960
perhaps drop after the album,
but I guess I guess how they

256
00:15:07,960 --> 00:15:10,960
want to play it.
Another music video along with,

257
00:15:11,360 --> 00:15:12,040
presumably.
Yeah.

258
00:15:12,480 --> 00:15:19,680
Well, didn't noise noisy act say
that there would be a third one?

259
00:15:19,840 --> 00:15:21,320
Didn't?
They give me a trilogy.

260
00:15:21,760 --> 00:15:24,200
Yeah, Trilogy.
Yeah.

261
00:15:24,320 --> 00:15:27,840
So do we think that it'll become
it'll be another prequel prequel

262
00:15:27,840 --> 00:15:34,000
to Pain display or post ROB?
I think it'll be post because it

263
00:15:34,000 --> 00:15:37,720
does come along further on the
album track.

264
00:15:38,000 --> 00:15:41,880
I see, that's good detective
work, the.

265
00:15:41,880 --> 00:15:47,040
Next song after pain display I
believe is White Shark Cafe then

266
00:15:48,000 --> 00:15:52,200
Common Touch so surely it's got
to be post.

267
00:15:52,640 --> 00:15:57,600
OK, that's exciting too.
Not just the song, but music

268
00:15:57,600 --> 00:16:01,680
video to go with it.
Yeah, I find it strange how

269
00:16:01,680 --> 00:16:04,960
we've we've sat here and we've
we're like love Rob.

270
00:16:05,960 --> 00:16:07,240
Yeah.
Great tune.

271
00:16:08,880 --> 00:16:10,560
Oh my God.
Pay and display.

272
00:16:11,600 --> 00:16:12,800
Love it.
Yeah.

273
00:16:14,640 --> 00:16:16,360
And is this one going to be the
same and?

274
00:16:17,320 --> 00:16:21,440
Then like how many do we not
know a thing about yet because

275
00:16:21,440 --> 00:16:24,760
we know foxholes?
Well, yes, yeah, we do know

276
00:16:24,800 --> 00:16:26,880
foxholes, don't we?
So we got what, 7?

277
00:16:27,760 --> 00:16:31,120
Was it 11 on the album?
I've avoided hearing perfect

278
00:16:31,120 --> 00:16:32,480
blue so I don't know anything
about it.

279
00:16:33,560 --> 00:16:40,320
Oh yeah, so six I've saw I I
watched Angie's footage once for

280
00:16:40,320 --> 00:16:46,680
Perfect Blue, maybe twice.
It's really hard at times to get

281
00:16:46,680 --> 00:16:48,560
that feeling.
Right.

282
00:16:48,840 --> 00:16:51,320
From.
A cell phone video from.

283
00:16:51,880 --> 00:16:53,560
Exactly.
Yeah.

284
00:16:54,960 --> 00:16:58,000
But yeah, so I guess we've sort
of heard half the album, we've

285
00:16:58,000 --> 00:16:59,600
got half the.
Album isn't that crazy?

286
00:16:59,800 --> 00:17:01,840
Isn't that crazy?
That's crazy.

287
00:17:01,840 --> 00:17:05,119
We have 6 songs at least, right?
Or let me think, we haven't

288
00:17:05,119 --> 00:17:08,240
heard it all and foxholes might
change, you know, things might

289
00:17:08,240 --> 00:17:11,119
change from studio version to
what was we we heard the

290
00:17:11,119 --> 00:17:13,640
concert, but for the most part,
apparently.

291
00:17:13,640 --> 00:17:17,119
Foxholes did chat a little bit
in the last concert.

292
00:17:17,480 --> 00:17:20,280
Yeah.
So, and This is why they've

293
00:17:20,280 --> 00:17:25,720
taken off wasted summer because
they want to clearly do it

294
00:17:25,720 --> 00:17:29,720
better.
But yeah, when when you ask that

295
00:17:29,720 --> 00:17:32,720
question, we we've heard six
songs.

296
00:17:33,360 --> 00:17:36,960
Is it 6?
So we've got Rob.

297
00:17:37,520 --> 00:17:40,000
Paint, display, Foxholes, common
touch.

298
00:17:40,520 --> 00:17:42,160
Perfect blue.
Perfect blue.

299
00:17:42,160 --> 00:17:47,640
So we've heard five.
And there's 12 or. 1111 yeah.

300
00:17:47,640 --> 00:17:50,760
So we've heard just under half
the album.

301
00:17:51,080 --> 00:17:54,200
That's amazing.
Like I can't, it's like so

302
00:17:54,200 --> 00:17:55,720
exciting for.
It's so exciting for them.

303
00:17:55,720 --> 00:17:57,760
And you could tell they love
these songs.

304
00:17:58,560 --> 00:18:03,080
You know, I was afraid at first
that they'd be nervous about

305
00:18:03,080 --> 00:18:06,200
presenting the these things
because there's so much weight

306
00:18:06,200 --> 00:18:09,560
behind them.
But it's clear that they're so

307
00:18:09,560 --> 00:18:13,640
confident and proud and happy
about them that that kind of

308
00:18:13,640 --> 00:18:16,200
floats away.
And the response has been so

309
00:18:16,200 --> 00:18:21,480
amazing so.
Yes, but just blow me away.

310
00:18:21,480 --> 00:18:23,080
How many we've actually heard
now?

311
00:18:23,760 --> 00:18:25,880
And how many are still left?
That I think that's the most

312
00:18:25,880 --> 00:18:29,320
exciting part.
Well, then, let's get on with

313
00:18:29,320 --> 00:18:31,360
the show.
Angie and I recorded an

314
00:18:31,360 --> 00:18:35,680
interview with a really amazing,
brilliant man named Vinny Rebus

315
00:18:35,720 --> 00:18:38,640
the other night, and I hope you
enjoy listening as much as we

316
00:18:38,640 --> 00:18:41,920
enjoyed recording it.
He's a music industry

317
00:18:41,920 --> 00:18:44,480
professional.
We grilled him with all kinds of

318
00:18:44,480 --> 00:18:49,280
questions regarding the music
industry and ways that fans can

319
00:18:49,280 --> 00:18:53,960
help support an indie artist
that's sort of on their way up

320
00:18:53,960 --> 00:18:57,880
and producing new music and
releasing songs and how we can

321
00:18:59,120 --> 00:19:01,960
really do the most we can for
them other than just streaming.

322
00:19:02,800 --> 00:19:06,560
So take a listen to that.
Let us know what you think and

323
00:19:06,920 --> 00:19:12,760
also check out his website,
Cartney CARTN e.com.

324
00:19:14,000 --> 00:19:19,800
It's a really robust website of
online music industry lessons

325
00:19:20,240 --> 00:19:25,160
from I think it's at 100
professionals and really

326
00:19:25,160 --> 00:19:27,680
fascinating.
Even if you're not in the

327
00:19:27,680 --> 00:19:31,360
industry, you'll find it very
interesting if you have an

328
00:19:31,360 --> 00:19:34,440
interest in music and supporting
bands that you love and

329
00:19:35,520 --> 00:19:36,920
definitely it's worth checking
out.

330
00:19:36,920 --> 00:19:39,480
So we'll put the link in the
description.

331
00:19:42,040 --> 00:19:46,840
Today we're joined by Vinny
Reba, an artist manager, artist

332
00:19:46,840 --> 00:19:50,560
consultant, music industry
consultant, founder and CEO of

333
00:19:50,560 --> 00:19:53,760
Indy Connect, and a plethora of
other things.

334
00:19:53,760 --> 00:19:56,880
Is there anything you'd like to
add or tell us about yourself?

335
00:19:58,680 --> 00:20:02,640
Basically, I also own
cartney.com, which is a

336
00:20:02,640 --> 00:20:06,120
e-learning platform for the
music industry, and I've just

337
00:20:06,120 --> 00:20:09,400
gotten into documentary filming.
Oh wow.

338
00:20:10,400 --> 00:20:13,200
Amazing.
That's like my favorite genre of

339
00:20:13,520 --> 00:20:15,920
of things to watch when I'm home
with free time.

340
00:20:15,960 --> 00:20:18,960
Excellent, very cool.
Thank you for joining us.

341
00:20:19,160 --> 00:20:23,720
We found you on LinkedIn for I
found you with your article

342
00:20:23,720 --> 00:20:26,720
Because I'm, I run a fan
account.

343
00:20:26,720 --> 00:20:30,160
I'm always looking for ways to
encourage fans to support

344
00:20:30,320 --> 00:20:34,680
Lovejoy and do everything we can
for them that they've had EPS

345
00:20:34,680 --> 00:20:37,840
and single, but they've not had
a debut full length album, but

346
00:20:37,840 --> 00:20:39,840
they have one coming out October
3rd.

347
00:20:40,480 --> 00:20:44,720
And so there's so much writing
on the as you well, well know.

348
00:20:44,840 --> 00:20:48,360
And so I found your article, 30
ways to help support your

349
00:20:48,360 --> 00:20:51,760
favorite indie artist.
And I was like, Oh my God,

350
00:20:51,760 --> 00:20:53,600
Angie, you got to see this,
Dave.

351
00:20:54,640 --> 00:20:57,360
What a goldmine.
Oh my goodness, I was so

352
00:20:57,440 --> 00:20:58,840
excited.
Wonderful.

353
00:20:58,840 --> 00:21:02,000
It's it's interesting how much
fans don't actually realize what

354
00:21:02,000 --> 00:21:04,480
artists have to go through and
so they don't really know how to

355
00:21:04,480 --> 00:21:07,800
support them.
That's so true because I often

356
00:21:07,800 --> 00:21:10,240
see, you know, we're pushing
like, let's get it to 1,000,000

357
00:21:10,240 --> 00:21:13,440
streams, you know, and they're
like, I just want to listen how

358
00:21:13,440 --> 00:21:15,760
I want to listen.
It's not our job to worry about

359
00:21:15,760 --> 00:21:18,120
that.
It's like, it's not your job,

360
00:21:18,120 --> 00:21:20,280
but do you love this band?
Do you want them to be able to

361
00:21:20,280 --> 00:21:23,280
stick around and tour and be
here for a long?

362
00:21:23,280 --> 00:21:25,080
Term.
It benefits the band and it

363
00:21:25,080 --> 00:21:26,840
benefits us.
If you want the band to stick

364
00:21:26,840 --> 00:21:28,520
around, you've got to help them
out a little bit.

365
00:21:30,960 --> 00:21:32,400
Yeah.
And it doesn't take much, you

366
00:21:32,400 --> 00:21:33,960
know, especially when you have
that many fans.

367
00:21:34,360 --> 00:21:37,320
But it does take, you know, a
little bit of effort, a little

368
00:21:37,320 --> 00:21:39,280
bit of conscious effort.
Yeah, I think just to raise the

369
00:21:39,280 --> 00:21:42,640
awareness, especially the
audience is on the younger side,

370
00:21:42,640 --> 00:21:46,160
most of which probably under 18
Even so.

371
00:21:46,200 --> 00:21:51,680
And we all grew up with CDs and
tapes and and radio being the

372
00:21:51,680 --> 00:21:53,880
big things.
But now it's a different world.

373
00:21:53,880 --> 00:21:57,800
And I was actually interested on
your take since I know you, I

374
00:21:57,800 --> 00:22:00,360
saw that you were on the other
side of the curtain at one point

375
00:22:00,360 --> 00:22:03,960
being a full time entertainer
and then booking agent.

376
00:22:03,960 --> 00:22:06,400
So you've been on, you know, the
whole spectrum.

377
00:22:06,400 --> 00:22:08,760
Old, I mean, when you are you're
old, you get to do a lot of

378
00:22:08,760 --> 00:22:10,560
stuff.
It's we welcome.

379
00:22:10,680 --> 00:22:13,720
We're glad you're here to to
help us with that plethora of

380
00:22:13,720 --> 00:22:16,320
knowledge you have.
So, yeah, how is it different

381
00:22:16,400 --> 00:22:19,760
and is it harder now because
there's not so much physical

382
00:22:19,760 --> 00:22:21,440
media that people are purchasing
there?

383
00:22:21,440 --> 00:22:23,520
Are a lot of things that are
different and, and a lot of

384
00:22:23,520 --> 00:22:25,480
things that are harder and a lot
of things that are easier.

385
00:22:25,800 --> 00:22:28,600
So, you know, definitely the
physical media is a major

386
00:22:28,600 --> 00:22:32,760
challenge because that was the
major revenue stream for record

387
00:22:32,760 --> 00:22:34,600
labels especially and for
artists.

388
00:22:34,880 --> 00:22:38,640
And so, you know, when artists
don't have that and it becomes

389
00:22:38,640 --> 00:22:42,240
really hard for them to tour
because everything is so

390
00:22:42,240 --> 00:22:47,400
expensive, whether it's gas and
the bus and hotel rooms and

391
00:22:47,720 --> 00:22:49,840
eating out and everything.
I mean, it just gets crazy.

392
00:22:49,840 --> 00:22:53,200
And so artists really struggle.
Even the biggest artists are

393
00:22:53,200 --> 00:22:57,000
downsizing a lot of their, the
size of their concerts because

394
00:22:57,000 --> 00:23:00,760
they're just not drawing and,
and it's just too expensive,

395
00:23:00,760 --> 00:23:03,760
especially when you have, you
know, those huge buses and, and

396
00:23:03,760 --> 00:23:06,880
trucks and stuff like that.
But any independent artist, you

397
00:23:06,880 --> 00:23:10,160
know, they're, they're really
struggling unless they draw a

398
00:23:10,160 --> 00:23:12,960
lot.
And mainly if they, you know, to

399
00:23:13,000 --> 00:23:16,240
make it as a touring artist is
going to be on merch.

400
00:23:17,200 --> 00:23:19,320
I see it's it's always going to
be on merch.

401
00:23:19,320 --> 00:23:23,360
And do the bands pay a fee to
the venues that host them?

402
00:23:23,360 --> 00:23:26,800
How does that work?
I've just, for those that don't

403
00:23:26,800 --> 00:23:29,760
know, like how does that work
when you sign up to play at

404
00:23:29,960 --> 00:23:33,040
Webster Hall in New York City,
do you have to a portion of the

405
00:23:33,040 --> 00:23:34,960
sale?
Some venues will do that.

406
00:23:35,760 --> 00:23:37,880
I always try to avoid that if
possible.

407
00:23:37,920 --> 00:23:41,040
You know, it's, it's not, it's
not rocket science to figure out

408
00:23:41,040 --> 00:23:44,320
that every, every little bit of
that margarine that you give

409
00:23:44,320 --> 00:23:47,440
away to somebody else chips away
at what you have to be able to

410
00:23:47,440 --> 00:23:50,760
survive on.
And so, you know, I, I don't

411
00:23:50,760 --> 00:23:54,400
like it when the record labels
take a piece of, of the action

412
00:23:54,400 --> 00:23:56,880
of the merch.
I don't like it when the clubs

413
00:23:56,880 --> 00:23:59,840
take a piece of the merch.
I just don't think it's it's

414
00:23:59,840 --> 00:24:03,920
fair to anybody and so I always
avoid that.

415
00:24:04,600 --> 00:24:06,600
Right.
And then that's when you know,

416
00:24:06,600 --> 00:24:10,120
T-shirts are now $50 instead of
25 like they used to be.

417
00:24:10,400 --> 00:24:13,640
Exactly.
If we're talking about the price

418
00:24:13,640 --> 00:24:19,400
of a ticket and who gets what
cut of that, let's say a ticket

419
00:24:19,400 --> 00:24:24,040
to see a band cost $50, what
percentage of that would you

420
00:24:24,040 --> 00:24:27,320
think, give or take, would that
band actually put in their

421
00:24:27,320 --> 00:24:30,000
pocket once you figure out all
the expenses?

422
00:24:30,000 --> 00:24:32,320
Yeah, I mean, first of all, a
lot of that depends on what the

423
00:24:32,320 --> 00:24:35,520
agreement is with the venue
because the venues usually take

424
00:24:35,520 --> 00:24:38,240
a portion of the ticket sales
unless the artist is what they

425
00:24:38,240 --> 00:24:41,080
call 4 walling.
So they're renting the room and

426
00:24:41,120 --> 00:24:43,360
and they're going to sell
tickets and then they're going

427
00:24:43,360 --> 00:24:45,520
to pay for the rent out of the
the ticket sales.

428
00:24:45,880 --> 00:24:48,480
So it's really hard to say what
percentage that would be.

429
00:24:48,840 --> 00:24:52,560
But after all of the expenses
and everything, if an artist you

430
00:24:52,560 --> 00:24:56,520
know, and it depends also on how
much the ticket sale, how much

431
00:24:56,520 --> 00:24:58,600
the tickets are and how many
tickets they're selling.

432
00:24:58,920 --> 00:25:02,240
So, you know, you can have a
venue that sees 500 and if they

433
00:25:02,240 --> 00:25:06,800
can sell that 500 seats for $50,
they're bringing in pretty good

434
00:25:06,800 --> 00:25:09,000
money.
But if it's a venue that seats

435
00:25:09,000 --> 00:25:12,840
25 or 50 or 100, you're not
bringing in as much money.

436
00:25:13,160 --> 00:25:14,840
So the percentage is going to be
different.

437
00:25:15,120 --> 00:25:18,840
But overall, if you know, if you
put a tour together, it's

438
00:25:18,840 --> 00:25:23,280
probably going to be 5 to 10%
that is actually profit, if

439
00:25:23,280 --> 00:25:26,560
that.
Wow, that's not very much, is

440
00:25:26,560 --> 00:25:28,400
it?
No.

441
00:25:28,840 --> 00:25:31,560
And we were talking, you know, I
had brought up streaming versus

442
00:25:31,560 --> 00:25:34,800
the physical.
Often times with streaming, you

443
00:25:34,800 --> 00:25:38,840
hear they make a fraction of a
penny per stream.

444
00:25:39,280 --> 00:25:44,080
So is it is streaming more about
just getting the songs out there

445
00:25:44,080 --> 00:25:48,120
than money made from the stream?
Streaming is pure marketing, is

446
00:25:48,120 --> 00:25:51,960
pure marketing.
And nowadays the push is to get

447
00:25:51,960 --> 00:25:55,000
away from that.
And if you've got a fan base,

448
00:25:55,200 --> 00:25:59,200
you only release your music to
your fans, or at least maybe for

449
00:25:59,200 --> 00:26:03,080
the first two weeks or a month,
you go to the fans 1st and let

450
00:26:03,080 --> 00:26:06,560
them consume it.
And especially if you have a fan

451
00:26:06,560 --> 00:26:09,880
club, this is the way that most
artists now are trying to

452
00:26:09,880 --> 00:26:13,680
generate a lot of money because
you figure if you've got, you

453
00:26:13,680 --> 00:26:18,200
know, 1000 fans that are paying
you $10 a month, then you've got

454
00:26:18,800 --> 00:26:20,800
100.
You've got $10,000 a month

455
00:26:20,800 --> 00:26:25,160
coming in mailbox money.
And you do special things for

456
00:26:25,160 --> 00:26:28,880
them.
And and that makes it really

457
00:26:28,880 --> 00:26:32,120
easy then to tour or to record
or do whatever you want.

458
00:26:32,120 --> 00:26:35,160
You've got all of this money
that that is Cumber.

459
00:26:35,640 --> 00:26:37,400
Yeah.
It, you know, it doesn't really

460
00:26:37,400 --> 00:26:40,560
cost you much maybe to go into
the studio and record a single

461
00:26:40,560 --> 00:26:43,400
or something.
But, you know, you can build a

462
00:26:43,400 --> 00:26:45,760
loyal following.
And I know artists that have,

463
00:26:46,200 --> 00:26:49,560
you know, 5000 people paying
them between 5:00 and $20.00 a

464
00:26:49,560 --> 00:26:51,320
month.
And these are independent

465
00:26:51,320 --> 00:26:53,640
artists.
So, you know, it's, it's the,

466
00:26:53,720 --> 00:26:56,360
it's the way to go.
If you've got a following, even

467
00:26:56,360 --> 00:26:58,640
if you don't have a following,
start building up.

468
00:26:59,080 --> 00:27:02,240
You know, you got to work your
fans through a process.

469
00:27:02,520 --> 00:27:04,840
So you're going to get fans that
just discover you.

470
00:27:05,080 --> 00:27:07,080
They're going to check you out a
little bit.

471
00:27:07,160 --> 00:27:08,800
They're going to then they're
going to test you out.

472
00:27:08,800 --> 00:27:10,560
They're going to go see your
website or they're going to

473
00:27:10,560 --> 00:27:11,960
check out your other social
media.

474
00:27:12,320 --> 00:27:15,280
And your goal is to move them up
the ladder to the point where

475
00:27:15,280 --> 00:27:18,000
not they're not no longer just
intrigued, they're actually

476
00:27:18,000 --> 00:27:21,240
engaged with you.
So you get them to sign up for

477
00:27:21,240 --> 00:27:24,000
your mailing list and then you
can start, you know, when

478
00:27:24,000 --> 00:27:26,440
somebody signs up for your
mailing list, which is the piece

479
00:27:26,440 --> 00:27:28,080
that most artists miss
completely.

480
00:27:28,080 --> 00:27:30,280
When somebody signs up for your
mailing list, they're basically

481
00:27:30,280 --> 00:27:33,680
saying, I give you permission to
market to me.

482
00:27:34,080 --> 00:27:35,960
I want to know when you have
gigs.

483
00:27:36,240 --> 00:27:38,760
I want to know when you have new
merch.

484
00:27:39,040 --> 00:27:41,200
I want to know when you have new
music coming out.

485
00:27:42,160 --> 00:27:44,800
And that makes a world of
difference when you can capture

486
00:27:44,800 --> 00:27:47,320
people that way.
Because if it's five to seven

487
00:27:47,320 --> 00:27:50,840
times easier to sell to an
existing customer than to find a

488
00:27:50,840 --> 00:27:54,760
new customer, that's just, you
know, simple sales math.

489
00:27:55,120 --> 00:27:58,160
So if you've got them on your
mailing list, that's a huge

490
00:27:58,360 --> 00:28:00,160
part, that's a commitment on
their part.

491
00:28:00,840 --> 00:28:03,960
Now you can move them into the
fan base into, into your fan

492
00:28:03,960 --> 00:28:07,480
club.
And it's not a huge leap if they

493
00:28:07,680 --> 00:28:12,160
like what you're giving them as,
as a, as a, an e-mail

494
00:28:12,160 --> 00:28:15,000
subscriber.
And, and once you can do that

495
00:28:15,000 --> 00:28:18,080
and you can even do the fan club
at, you know, $2.00 a month and

496
00:28:18,080 --> 00:28:19,880
then have other tiers that move
up.

497
00:28:20,440 --> 00:28:23,960
But you know, your, your goal is
to control everything.

498
00:28:23,960 --> 00:28:25,800
You're, you want to control the
music.

499
00:28:26,000 --> 00:28:27,880
You don't want anyone else
controlling that.

500
00:28:28,160 --> 00:28:31,280
Your goal is to control the
obviously the, the copyrights of

501
00:28:31,280 --> 00:28:33,720
the songs.
Your goal is to control the

502
00:28:33,720 --> 00:28:35,920
data.
You know, the biggest challenge

503
00:28:35,920 --> 00:28:40,000
with all of the social networks,
with Spotify, with anybody is it

504
00:28:40,000 --> 00:28:42,960
doesn't matter if you have 5
million fans on there, 100

505
00:28:42,960 --> 00:28:45,480
million fans in there.
You haven't got a clue who one

506
00:28:45,480 --> 00:28:47,680
of them is.
You can't e-mail one of them

507
00:28:47,680 --> 00:28:51,480
because they they own the data.
And yeah, so if they own the

508
00:28:51,480 --> 00:28:54,720
data, then you're just borrowing
that list.

509
00:28:55,360 --> 00:28:58,120
You know, when, when TikTok was
going away, so many people were

510
00:28:58,320 --> 00:29:00,760
so scared because that was their
entire living.

511
00:29:00,760 --> 00:29:03,280
If they had all that data, they
had anyone, everybody on the

512
00:29:03,280 --> 00:29:05,240
mailing list would have made a
difference.

513
00:29:05,240 --> 00:29:07,080
Hey, guys, We're going to go
switch over to here.

514
00:29:08,440 --> 00:29:13,200
So switching from streaming to
radio, is radio still relevant

515
00:29:13,400 --> 00:29:15,240
in today's world for independent
artists?

516
00:29:15,800 --> 00:29:18,200
It's, it's relevant, but it's
very expensive.

517
00:29:19,000 --> 00:29:21,360
It's very expensive to get a
radio promoter.

518
00:29:21,360 --> 00:29:24,640
Now somebody like Lovejoy,
they've got a big following.

519
00:29:24,640 --> 00:29:27,480
They've got a lot of people
following them on Spotify.

520
00:29:27,720 --> 00:29:29,960
So they would have an attraction
to radio.

521
00:29:30,040 --> 00:29:33,760
But the hardest thing for an
artist is to reach all of those

522
00:29:33,760 --> 00:29:36,480
radio stations.
You can pay for services.

523
00:29:36,480 --> 00:29:39,440
There are, there are services
like Play NBE and their Play

524
00:29:39,440 --> 00:29:42,200
Direct that'll reach out to
these different radio stations

525
00:29:42,200 --> 00:29:47,160
for you radio, unless you have a
radio promoter and you're paying

526
00:29:47,160 --> 00:29:49,080
them big money.
And the reason they're big money

527
00:29:49,080 --> 00:29:53,560
is because every one of them has
their own target area that they

528
00:29:53,560 --> 00:29:55,840
work with.
So you'll have your New York guy

529
00:29:55,840 --> 00:29:58,360
who works the, the main stations
there and then you'll have the

530
00:29:58,360 --> 00:30:00,600
guy that works Northern New York
or something.

531
00:30:00,600 --> 00:30:04,680
And so you're paying a whole lot
of people and to infiltrate, you

532
00:30:04,680 --> 00:30:10,160
know, a radio station that's
owned or is, is basically, you

533
00:30:10,160 --> 00:30:13,840
know, pretty much owned, whether
it's physically or, or, or just

534
00:30:13,840 --> 00:30:17,960
bought by the major labels,
you're not going to have, you

535
00:30:17,960 --> 00:30:20,200
know, a good shot at getting at
the major stations.

536
00:30:20,560 --> 00:30:23,760
So you're going to be on, I
mean, you're yeah, you I think

537
00:30:23,760 --> 00:30:24,840
you're going to know where
you're going.

538
00:30:25,000 --> 00:30:29,040
College stations are a great,
are a great Ave. to go.

539
00:30:29,160 --> 00:30:32,560
Unfortunately, again, the
challenge with college stations

540
00:30:32,800 --> 00:30:36,560
is that the students are usually
the ones that do the programming

541
00:30:36,560 --> 00:30:40,160
and they change every year.
So every year you're starting

542
00:30:40,160 --> 00:30:44,120
from scratch or every two years
to build relationships.

543
00:30:44,280 --> 00:30:46,800
Everything in this in this field
is relationships.

544
00:30:47,120 --> 00:30:50,200
It's relationships with the
radio stations, the programmers,

545
00:30:50,440 --> 00:30:54,160
it's relationships with the
venues, it's relationship with

546
00:30:54,160 --> 00:30:56,880
booking agents, it's
relationships that your manager

547
00:30:56,880 --> 00:30:59,120
has.
It's all relationships because

548
00:30:59,440 --> 00:31:02,400
there are so many people
flooding the market every single

549
00:31:02,400 --> 00:31:05,400
day with content and, and a lot
of it good.

550
00:31:05,840 --> 00:31:10,160
Not a huge percentage, but a lot
of it is good that you have to

551
00:31:10,160 --> 00:31:13,360
do something that makes you
stand out from everybody else.

552
00:31:13,960 --> 00:31:17,120
What about fans, the good old,
you know, calling into the radio

553
00:31:17,120 --> 00:31:19,640
station or emailing them or
texting them?

554
00:31:19,640 --> 00:31:22,800
Is that still effective?
That's very effective.

555
00:31:23,640 --> 00:31:27,760
I mean, they want to please
their their audiences and, and

556
00:31:27,760 --> 00:31:30,440
if it's an appropriate radio
station, yes, fans can

557
00:31:30,440 --> 00:31:32,840
definitely help in that kind of
a campaign.

558
00:31:32,840 --> 00:31:36,880
And it can help by finding out
who's the programmer at their

559
00:31:36,880 --> 00:31:39,480
local college and passed that
information on.

560
00:31:39,480 --> 00:31:42,720
So basically, I mean, it used to
be a street team, artists would

561
00:31:42,720 --> 00:31:45,240
put a street team together and
they would put out posters and

562
00:31:45,240 --> 00:31:47,400
stuff like that.
And, and sometimes that still

563
00:31:47,400 --> 00:31:49,440
works.
But most people are sticking

564
00:31:49,440 --> 00:31:52,720
with digital right now.
But yes, you know, mobilizing

565
00:31:52,720 --> 00:31:57,640
your fans to help you out in all
these different areas, to tell

566
00:31:57,640 --> 00:32:01,440
you about a, a venue that you
should be playing to introduce

567
00:32:01,520 --> 00:32:05,240
you to a new owner or to
introduce you to somebody they

568
00:32:05,240 --> 00:32:09,000
know that works at a radio
station or somebody that works

569
00:32:09,000 --> 00:32:12,080
at the local festival or fair or
something like that.

570
00:32:12,400 --> 00:32:15,560
All those kind of things make a
world of difference.

571
00:32:15,760 --> 00:32:18,400
When, when, Because right now,
you know, unless you have a

572
00:32:18,400 --> 00:32:20,600
record label and you're paying a
marketing company and you're,

573
00:32:20,880 --> 00:32:23,560
you're, you're paying a
publicist and everything, you

574
00:32:23,560 --> 00:32:25,520
don't have the money to reach
everybody.

575
00:32:25,520 --> 00:32:28,560
So you're doing it on your own.
It's coming out of your time,

576
00:32:28,760 --> 00:32:30,840
it's coming out of your pocket
and everything.

577
00:32:31,080 --> 00:32:32,880
And, and that makes it very
difficult.

578
00:32:33,000 --> 00:32:36,520
So if you've got the fans on
your side and they're helping

579
00:32:36,520 --> 00:32:41,040
you to get the contacts and the
resources and and create the

580
00:32:41,040 --> 00:32:44,760
demand for you, you know, it's
the same thing with, you know,

581
00:32:44,760 --> 00:32:48,360
having enough fans calling a
festival saying that we want

582
00:32:48,360 --> 00:32:51,000
these guys to play.
Yeah, Lovejoy has said we'll,

583
00:32:51,040 --> 00:32:53,160
we'll play where the listeners
are.

584
00:32:53,280 --> 00:32:56,200
So they just need to know and
see where the listeners are.

585
00:32:56,200 --> 00:32:58,680
But they are just recently
signed with Warner Record

586
00:32:59,600 --> 00:33:01,160
because they're with Warner
Record.

587
00:33:01,840 --> 00:33:05,160
Does that, I'd imagine, help
with airplay.

588
00:33:05,720 --> 00:33:08,440
I, I had heard something about
an ad.

589
00:33:08,800 --> 00:33:12,800
Tomorrow's supposed to be the ad
date for radio stations.

590
00:33:12,960 --> 00:33:16,520
It's a new term I've just
learned for their newest song,

591
00:33:16,520 --> 00:33:19,400
pay and display.
So how does that work?

592
00:33:19,440 --> 00:33:22,760
Ad dates and new song.
That's the official day.

593
00:33:23,000 --> 00:33:25,560
They can tell the radio stations
this song will be available on

594
00:33:25,560 --> 00:33:27,760
this day.
Do not play it before this day.

595
00:33:27,920 --> 00:33:30,560
So that's your ad date.
That's the date today.

596
00:33:30,560 --> 00:33:35,400
Add it to their playlists now, a
lot of songs take a long time.

597
00:33:35,400 --> 00:33:38,240
They take creating demand and
everything for them to work

598
00:33:38,240 --> 00:33:40,840
their way up in the radio
stations playlist.

599
00:33:41,120 --> 00:33:43,840
I mean their songs that take
months to work their way up.

600
00:33:43,840 --> 00:33:46,760
So it's not like it happens
today and it gets on every radio

601
00:33:46,760 --> 00:33:49,920
station.
The difference is that when

602
00:33:49,920 --> 00:33:53,000
you're signed with somebody like
Warner, they have the

603
00:33:53,000 --> 00:33:55,120
relationships with the radio
stations.

604
00:33:55,480 --> 00:33:57,440
So they can say they have
leverage.

605
00:33:57,640 --> 00:34:00,920
They can say we're not going to
let you play this artist unless

606
00:34:00,920 --> 00:34:03,720
you play our new artist.
We're not going to let you have

607
00:34:03,840 --> 00:34:05,400
fascinating.
We're not going to have, we're

608
00:34:05,400 --> 00:34:09,040
not going to let you have our
this artist play your concert,

609
00:34:09,040 --> 00:34:12,320
your local concert, unless you
have this artist open for them.

610
00:34:12,639 --> 00:34:14,159
So there's a little politics
going on there.

611
00:34:14,159 --> 00:34:17,280
It's all politics, so.
They've already been playing the

612
00:34:17,280 --> 00:34:20,000
song on a lot of stations.
I've been tracking it on sound

613
00:34:20,000 --> 00:34:23,480
charts.
So, so that's exciting that even

614
00:34:23,480 --> 00:34:27,480
before that, that date, it's
already been playing, I think

615
00:34:27,480 --> 00:34:30,440
over 100 since August 22nd when
it was released.

616
00:34:30,840 --> 00:34:32,760
So and Alt Nation.
What do you do you have an

617
00:34:32,760 --> 00:34:36,440
opinion on Alt Nation or
SiriusXM and their value?

618
00:34:36,440 --> 00:34:39,840
Because they had put them on
their Advanced Placement list,

619
00:34:39,840 --> 00:34:41,600
but then they don't play.
They haven't played the song

620
00:34:41,600 --> 00:34:43,520
yet.
Maybe they won't till tomorrow,

621
00:34:43,520 --> 00:34:45,800
I don't know.
Probably not until tomorrow, but

622
00:34:45,800 --> 00:34:48,360
yeah, I mean, you want to be on,
especially on Sirius FM.

623
00:34:48,679 --> 00:34:50,840
You, you, you absolutely want to
be on there.

624
00:34:50,840 --> 00:34:55,159
XM sorry if you can get on
there, because there are ways to

625
00:34:55,199 --> 00:34:58,640
to do that and and a lot of it's
relationships, you know, working

626
00:34:58,640 --> 00:35:00,080
with somebody who has a
relationship.

627
00:35:00,080 --> 00:35:02,520
The bottom line, everything is
working with somebody who has a

628
00:35:02,520 --> 00:35:04,800
relationship.
You want to get in magazines,

629
00:35:04,800 --> 00:35:06,280
you want to get something
written out with you.

630
00:35:06,520 --> 00:35:09,160
You want a publicist who has
relationships.

631
00:35:09,440 --> 00:35:12,800
You want to get on Radio
SiriusXM, any of those.

632
00:35:12,800 --> 00:35:15,560
You need people who have.
Interviews, I would imagine

633
00:35:15,600 --> 00:35:18,520
would be valuable if they could
do a little short interviews,

634
00:35:18,560 --> 00:35:20,080
you know, like a press junket,
sure.

635
00:35:20,320 --> 00:35:24,160
Absolutely, absolutely.
And and that a lot of that the

636
00:35:24,160 --> 00:35:27,280
band can do, you know, if the
band is willing to do an

637
00:35:27,280 --> 00:35:29,800
interview or if they're going to
be coming to town, they should

638
00:35:29,800 --> 00:35:32,280
go into the studio, you know,
offer to do an in house

639
00:35:32,560 --> 00:35:34,440
interview.
That makes a world of difference

640
00:35:34,560 --> 00:35:37,200
because you're building
relationships.

641
00:35:37,400 --> 00:35:41,800
This industry is not about how
many people you know, it's about

642
00:35:41,880 --> 00:35:44,920
who trusts you.
That's really.

643
00:35:44,920 --> 00:35:48,040
It's about who trusts you enough
to open the door for you.

644
00:35:48,840 --> 00:35:52,120
So you can have, you know, you
can have the whole world can

645
00:35:52,120 --> 00:35:55,640
know about you, but you may not
get that one gig because nobody

646
00:35:55,640 --> 00:35:57,760
actually trusted you enough to
give you that call.

647
00:35:57,840 --> 00:36:00,720
And it's the same thing even on
a smaller scale or much smaller

648
00:36:00,720 --> 00:36:03,400
scale, where you're trying to do
something and there's

649
00:36:03,400 --> 00:36:06,960
opportunities and you know,
you're a good fit, but you can't

650
00:36:06,960 --> 00:36:09,120
get your foot in the door.
You don't have the clout.

651
00:36:09,600 --> 00:36:13,040
But if, if somebody trusts you
enough to say, oh, you need to

652
00:36:13,040 --> 00:36:16,400
call this this band and then
they open the door for you, then

653
00:36:16,400 --> 00:36:20,160
you're going to get in because
it, it's all relationships.

654
00:36:20,280 --> 00:36:22,600
So either you have the
relationship, your team has a

655
00:36:22,600 --> 00:36:26,280
relationship, you know, or your
fans have the relationship.

656
00:36:27,320 --> 00:36:30,480
What's good about Lovejoy?
They were sort of like a quiet

657
00:36:30,480 --> 00:36:34,640
time, a dry spell, so to speak,
where they lost some momentum.

658
00:36:34,720 --> 00:36:37,640
But they have awesome things
under their belt, like they

659
00:36:37,800 --> 00:36:43,840
received the MTVUK Push Award at
the beginning of 2024 and they

660
00:36:43,840 --> 00:36:47,080
played Reading leads
Lollapalooza.

661
00:36:47,200 --> 00:36:50,000
They headlined Summerfest this
year at their stage at

662
00:36:50,000 --> 00:36:52,800
Summerfest.
So I guess I would imagine those

663
00:36:52,800 --> 00:36:57,160
things, their resume that
they've built up also help.

664
00:36:57,360 --> 00:36:59,400
Yeah, they're reaching, They're
reaching more people.

665
00:36:59,600 --> 00:37:02,760
They've got much better content
to put online when you can show

666
00:37:02,760 --> 00:37:04,840
something from Lollapalooza and
stuff like that.

667
00:37:04,840 --> 00:37:07,720
I was, I was looking at some of
their videos and stuff and, and

668
00:37:07,720 --> 00:37:10,880
it gives you credibility.
It gives you huge credibility.

669
00:37:11,080 --> 00:37:14,840
But there's one thing I want to
mention that is important for

670
00:37:14,840 --> 00:37:18,440
the band to know.
Well, actually, it was actually

671
00:37:18,440 --> 00:37:21,880
one of your questions.
What does the what kind of music

672
00:37:21,880 --> 00:37:24,840
do the fans want?
Things have changed drastically

673
00:37:25,080 --> 00:37:29,280
with social media being the main
way that people discover music.

674
00:37:29,840 --> 00:37:34,080
And they don't discover the
music first.

675
00:37:34,800 --> 00:37:39,080
They will hear the music first,
then they want to know more

676
00:37:39,080 --> 00:37:42,720
about the artist.
They want to know if they have

677
00:37:42,720 --> 00:37:46,400
something in common with them
because the fans are getting

678
00:37:46,400 --> 00:37:50,080
bombarded, just like Spotify's
getting bombarded and the fans

679
00:37:50,080 --> 00:37:52,320
are getting bombarded with all
kinds of content.

680
00:37:52,760 --> 00:37:57,240
So that's why the algorithms try
to pinpoint somebody that you're

681
00:37:57,240 --> 00:37:59,120
going to have something in
common with that somebody.

682
00:37:59,320 --> 00:38:02,160
You like this artist and so
you'll like this artist, but

683
00:38:02,160 --> 00:38:05,120
they want to know if they have
something in common with you and

684
00:38:05,120 --> 00:38:11,160
then they will listen deeper.
So, So what, what artists need

685
00:38:11,160 --> 00:38:15,600
to do is they need to know their
fans well enough to know what to

686
00:38:15,600 --> 00:38:21,240
write about, what to say in an
interview, what to, I mean, all

687
00:38:21,240 --> 00:38:24,160
of the things, all of the touch
points, you know, you're

688
00:38:24,160 --> 00:38:27,360
building a brand.
And I look at all of the

689
00:38:27,360 --> 00:38:31,000
different touch points every
time that the name or the image

690
00:38:31,000 --> 00:38:33,480
or the music intersects with a
fan.

691
00:38:34,600 --> 00:38:37,400
What does that look like?
And how is the fan going to

692
00:38:37,400 --> 00:38:39,400
react to that?
And so as long as you're

693
00:38:39,400 --> 00:38:42,600
consistent with that and you're
doing it long enough and you're

694
00:38:42,600 --> 00:38:46,040
reaching people, you will, you
will weed out the ones that

695
00:38:46,040 --> 00:38:48,000
don't like you.
And there's nothing wrong with

696
00:38:48,000 --> 00:38:50,320
that because you don't want them
necessarily anyway.

697
00:38:50,360 --> 00:38:52,440
You will.
You will build up that fan base

698
00:38:52,440 --> 00:38:55,160
that is very, very, you know,
loyal.

699
00:38:55,840 --> 00:38:56,760
Loyal to you.
Yeah.

700
00:38:56,760 --> 00:38:58,480
I was going to say rabid fans,
but it didn't.

701
00:38:58,480 --> 00:38:59,680
Sound.
Oh yeah, they have that too.

702
00:39:02,120 --> 00:39:04,080
They were rabid.
That just didn't work.

703
00:39:04,480 --> 00:39:07,880
No, I mean it, it's, it's really
important for for the artist to

704
00:39:07,880 --> 00:39:11,960
understand that is the way that
fans connect with you.

705
00:39:12,440 --> 00:39:13,680
And that's what they're looking
for.

706
00:39:13,680 --> 00:39:15,400
They're looking for an emotional
connection.

707
00:39:16,560 --> 00:39:20,560
I mean, Ed Sheeran, somebody did
a a cover of one of his songs.

708
00:39:20,560 --> 00:39:24,120
I forget which one it was and
and she did a such a great job

709
00:39:24,120 --> 00:39:27,800
on it that he actually invited
her to come to to meet him and

710
00:39:27,800 --> 00:39:30,120
they, you know, he sat in the
living room and just sent

711
00:39:30,120 --> 00:39:31,960
Samsung.
That's cute.

712
00:39:31,960 --> 00:39:34,680
That's what you look for,
looking for that kind of

713
00:39:34,680 --> 00:39:39,280
relationship, and every fan was
envious of it, but every fan

714
00:39:39,280 --> 00:39:41,840
watched it every single time.
Every one of those videos went

715
00:39:41,840 --> 00:39:43,720
viral.
Oh, you know what we for the

716
00:39:43,720 --> 00:39:47,400
first time ever, they're
offering on this tour VIP

717
00:39:47,440 --> 00:39:50,360
packages, which is like among
humongous.

718
00:39:51,200 --> 00:39:53,600
Yes, they are.
Yeah, I'm sure.

719
00:39:53,680 --> 00:39:56,720
I'm sure the the label has a lot
to do with that because the

720
00:39:56,720 --> 00:39:59,200
label likes that.
And what the label is doing is

721
00:39:59,200 --> 00:40:01,600
bringing in those relationships
that the artists need.

722
00:40:02,560 --> 00:40:05,240
They're bringing in like this
and booking agents and they're

723
00:40:05,240 --> 00:40:08,160
bringing in all the
relationships to meet the band.

724
00:40:08,360 --> 00:40:11,240
The meet and greet is the
biggest to draw of the package

725
00:40:11,240 --> 00:40:14,000
and another way to bring in some
extra money.

726
00:40:14,000 --> 00:40:16,400
It's not, you know, the.
The extras they're throwing in

727
00:40:17,040 --> 00:40:21,400
aren't pricey, but they're
exciting and everybody wants

728
00:40:21,400 --> 00:40:23,080
them.
That's it.

729
00:40:23,240 --> 00:40:24,600
You got to give the fans what
they want.

730
00:40:25,080 --> 00:40:26,400
Yeah.
And it's interesting.

731
00:40:26,640 --> 00:40:30,040
I've been tracking their ticket
sales, not by numbers, but just

732
00:40:30,040 --> 00:40:32,160
what I can see, like can I still
get a ticket?

733
00:40:32,600 --> 00:40:36,040
And I would say 2/3 of their VIP
tickets for their tour are sold

734
00:40:36,120 --> 00:40:39,080
out.
So there was clearly a big

735
00:40:39,080 --> 00:40:41,480
demand for that, which is nice
to see.

736
00:40:41,480 --> 00:40:45,680
But we were talking about fans a
little earlier on, how fans can

737
00:40:45,960 --> 00:40:52,680
help the band by making requests
on radio with a band the size of

738
00:40:52,680 --> 00:40:55,080
Lovejoy, who isn't, you know,
tiny.

739
00:40:55,400 --> 00:40:58,040
They're obviously bigger now,
but they're not huge huge

740
00:40:58,120 --> 00:41:00,280
either.
And they're really just now

741
00:41:00,280 --> 00:41:03,080
trying for their big break with
their first debut album.

742
00:41:03,600 --> 00:41:08,320
Are there any other ways of
supporting a band of this size

743
00:41:08,320 --> 00:41:13,680
that you would suggest versus
somebody who is really just

744
00:41:13,680 --> 00:41:17,080
starting out from the ground up?
Well, given given the age group

745
00:41:17,080 --> 00:41:20,400
that that they have, I would say
one of the biggest things they

746
00:41:20,400 --> 00:41:24,360
can do is to use their music
online, use their music in their

747
00:41:24,360 --> 00:41:28,000
videos.
So create a video with Lovejoy's

748
00:41:28,000 --> 00:41:31,720
music in it, because that
triggers the algorithm that

749
00:41:32,000 --> 00:41:35,000
makes them move up the the
ladder and preference and more

750
00:41:35,000 --> 00:41:36,760
for you pages and stuff like
that.

751
00:41:37,120 --> 00:41:40,600
So that's a real big part of it.
If there is, if there are any

752
00:41:40,600 --> 00:41:45,920
podcasts that they should be
guests on, if the fans have know

753
00:41:45,920 --> 00:41:49,280
of that, no matter how big or
how small it is, it's that's a

754
00:41:49,280 --> 00:41:53,280
great way to, to help the band
because again, it's, it's

755
00:41:53,280 --> 00:41:56,240
reaching listeners that they
might not normally listen, they

756
00:41:56,240 --> 00:41:58,960
might not normally hear them.
I mean, I'm 70 years old.

757
00:41:58,960 --> 00:42:02,520
I like their music.
So it's not just appealing to 13

758
00:42:02,520 --> 00:42:05,840
year olds or 15 year olds, you
know, I mean, they've got to

759
00:42:06,280 --> 00:42:08,760
reach everybody.
Yeah, no, it's not just

760
00:42:08,760 --> 00:42:11,000
teenagers, as Leslie and I can
attest.

761
00:42:11,040 --> 00:42:13,560
To We can thank our teenagers
for introducing them to us.

762
00:42:13,640 --> 00:42:17,360
I know, Leslie.
Will agree with me is her and I

763
00:42:17,360 --> 00:42:20,080
and some other people in the fan
base might be really pumped up

764
00:42:20,080 --> 00:42:21,840
or like, OK, let's do this,
let's support them.

765
00:42:21,840 --> 00:42:23,840
Let's get out there and do all
the things.

766
00:42:23,840 --> 00:42:26,480
Let's, you know, make a bunch of
Tik Toks and let's call these

767
00:42:26,480 --> 00:42:28,560
radio stations.
Sometimes it's hard to get

768
00:42:28,560 --> 00:42:31,120
people motivated.
Take it for granted that it's

769
00:42:31,120 --> 00:42:32,600
always just going to be there
and.

770
00:42:33,400 --> 00:42:35,760
But we know how the crucial this
time is.

771
00:42:37,560 --> 00:42:41,560
We're the band, so it's, yeah,
we just want the easier it is

772
00:42:41,560 --> 00:42:44,560
and the more fun it is.
And I guess easy is the big easy

773
00:42:45,640 --> 00:42:49,480
express how valuable it is.
So they feel like it's they're

774
00:42:49,480 --> 00:42:53,760
really doing something, I think.
It's important to to realize the

775
00:42:53,760 --> 00:42:56,480
difference between radio and
social media.

776
00:42:56,560 --> 00:43:00,960
With radio, it's repeat.
The songs are repeated over and

777
00:43:00,960 --> 00:43:04,680
over and over again until you
have no choice but to get them

778
00:43:04,680 --> 00:43:06,880
into your brain.
They, you know, they just weave

779
00:43:06,880 --> 00:43:09,720
their way into your into the
fabric of your brain and, and

780
00:43:09,720 --> 00:43:10,960
next thing you know, you like
them.

781
00:43:10,960 --> 00:43:15,320
But but with social media,
people hear 3 seconds of a song

782
00:43:15,320 --> 00:43:18,000
and they scroll 3 seconds.
You know, they watch 3 seconds

783
00:43:18,000 --> 00:43:21,760
of a video and they scroll.
So it takes a lot of

784
00:43:21,760 --> 00:43:24,760
impressions.
Somebody has to hear that song a

785
00:43:24,760 --> 00:43:27,760
lot of times before they
actually before it actually

786
00:43:27,760 --> 00:43:30,600
triggers.
So they usually say that in

787
00:43:30,600 --> 00:43:35,360
sales or in marketing, it takes
7 to 20 impressions.

788
00:43:35,600 --> 00:43:40,520
So to see a commercial on TV 7
to 20 times before the audience

789
00:43:40,520 --> 00:43:43,840
actually, you know, it makes an
imprint in their brain and they

790
00:43:43,840 --> 00:43:46,240
actually know what they're
talking about.

791
00:43:46,680 --> 00:43:50,400
And so you don't have that
opportunity on TikTok unless

792
00:43:50,400 --> 00:43:52,200
you're creating a whole bunch of
content.

793
00:43:52,520 --> 00:43:56,320
If you're not the one creating
that much content, the fans have

794
00:43:56,320 --> 00:43:58,760
to make that up.
The fans can do that.

795
00:43:59,000 --> 00:44:03,040
They can keep you on people's
For You pages and get that song

796
00:44:03,040 --> 00:44:06,840
heard over and over and over
again because it's played in all

797
00:44:06,840 --> 00:44:09,760
these different videos.
And we've tried to Angie's had a

798
00:44:09,760 --> 00:44:13,360
good idea of pushing It doesn't
have to be that clever or

799
00:44:13,360 --> 00:44:14,800
creative.
And if you don't want to show

800
00:44:14,800 --> 00:44:17,520
your faith, it could be your dog
running around because funny

801
00:44:17,640 --> 00:44:20,800
animal pet videos are popular,
that kind of thing.

802
00:44:20,800 --> 00:44:23,760
Something's really unrelated.
Yeah, pick something out of the

803
00:44:23,760 --> 00:44:26,000
lyric that you can depict.
It doesn't matter.

804
00:44:26,200 --> 00:44:32,680
But they, the audience, the the
viewers have to hear it over and

805
00:44:32,680 --> 00:44:35,480
over and over again for it to
stick, for them to start to, for

806
00:44:35,480 --> 00:44:37,560
them to even stop and say, oh,
who is that?

807
00:44:37,920 --> 00:44:41,760
We feel this weight of the
pressure of this album.

808
00:44:42,800 --> 00:44:46,120
Obviously not as much as they
do, but I really do take, we

809
00:44:46,200 --> 00:44:48,640
really do take it on upon
ourselves because we have a

810
00:44:48,640 --> 00:44:51,680
captive audience and yeah, we
want to utilize them.

811
00:44:52,400 --> 00:44:55,520
And I like you were mentioning
there used to be St. teams to

812
00:44:55,520 --> 00:44:58,840
hang Flyers and things.
We've sort of Angie's done that

813
00:44:58,840 --> 00:45:02,240
for sure, and we've had other
fans do that where they'd hang

814
00:45:02,600 --> 00:45:05,760
Flyers with the QR code or the
Spotify link, make stickers and

815
00:45:05,760 --> 00:45:09,560
stick them around in cities.
Yeah, every little bit helps

816
00:45:09,560 --> 00:45:11,480
because it's it's those touch
points.

817
00:45:11,640 --> 00:45:13,040
Every one of those is a touch
point.

818
00:45:13,240 --> 00:45:16,480
And you need enough touch points
for somebody to say, oh, what's

819
00:45:16,480 --> 00:45:19,280
that song?
Or who's this Lovejoy that I see

820
00:45:19,280 --> 00:45:20,920
everywhere?
I haven't heard any of their

821
00:45:20,920 --> 00:45:22,440
music, but I see their name
everywhere.

822
00:45:22,440 --> 00:45:25,400
I see their poster, you know,
why are so many people lined up

823
00:45:25,400 --> 00:45:27,960
in front of the club?
Why are, I mean, I mean, all,

824
00:45:28,200 --> 00:45:30,520
all of these different things,
every one of them.

825
00:45:30,520 --> 00:45:32,080
Why are they getting all this
press?

826
00:45:32,480 --> 00:45:35,040
You know, why did they just get
a bump in their Spotify?

827
00:45:35,520 --> 00:45:39,440
Everything, all those touch
points register in somebody's

828
00:45:39,440 --> 00:45:42,160
mind that this is somebody I
need to pay more attention to.

829
00:45:42,680 --> 00:45:46,320
So St. teams still still have a,
they still have a value.

830
00:45:46,760 --> 00:45:48,840
Have a huge value.
Without them, who's going to you

831
00:45:49,320 --> 00:45:51,400
know, I mean, there's nothing.
There's nothing there.

832
00:45:51,920 --> 00:45:54,640
And the hard part is keeping.
The hard part is keeping them.

833
00:45:54,640 --> 00:45:57,440
If you're not, if you're not in
front of them all the time,

834
00:45:57,920 --> 00:46:00,080
they're going to go find
somebody who is because that's

835
00:46:00,080 --> 00:46:03,040
what they crave.
And we need to find another

836
00:46:03,040 --> 00:46:05,920
artist who's in front of them,
another artist who will get on

837
00:46:06,120 --> 00:46:09,520
Zoom once a month for you to pay
$5 a month.

838
00:46:09,760 --> 00:46:11,760
But you know, somebody who will
get on Zoom and they can

839
00:46:11,760 --> 00:46:13,920
actually meet you, you know,
meet you.

840
00:46:15,320 --> 00:46:16,720
That's because that's what they
crave.

841
00:46:18,560 --> 00:46:21,480
When you were talking about fan
clubs run by the bands

842
00:46:21,480 --> 00:46:24,760
themselves, I've seen a ton
obviously, because I that's all

843
00:46:24,760 --> 00:46:27,840
I search up all the time.
Are all these anything fans, fan

844
00:46:27,840 --> 00:46:31,520
club, fan everything.
There's tons of apps now coming

845
00:46:31,520 --> 00:46:33,760
out.
Is there anything you've seen

846
00:46:33,760 --> 00:46:37,440
that you like what they're doing
or you think the old school like

847
00:46:37,440 --> 00:46:42,600
emails and that sort of content?
Or do you see things going like

848
00:46:42,600 --> 00:46:47,360
that actually working?
And do bands need their own app

849
00:46:47,360 --> 00:46:51,040
that's like the Lovejoy fan app
or is it these third party ones?

850
00:46:51,040 --> 00:46:54,440
Is that I don't know if you have
any opinion on that or if you

851
00:46:54,440 --> 00:46:55,600
have experience with any of
that.

852
00:46:56,920 --> 00:46:59,880
It depends on on how dedicated
your fans are.

853
00:46:59,960 --> 00:47:02,080
I mean, yeah, you're right.
There's a whole bunch of apps

854
00:47:02,080 --> 00:47:04,200
out there.
It all started, you know, with

855
00:47:04,320 --> 00:47:06,440
with Patreon being the biggest
one.

856
00:47:06,440 --> 00:47:09,320
Well, it started way back.
Like Pledge Music was one that

857
00:47:09,320 --> 00:47:13,240
was, you know, 1520 years ago.
That was the first real artist

858
00:47:13,240 --> 00:47:16,960
fan club site.
So then, you know, Patreon, you

859
00:47:16,960 --> 00:47:18,640
know, has taken over for a lot
of that.

860
00:47:18,960 --> 00:47:21,800
But Patreon is very limited as
to what it does.

861
00:47:22,160 --> 00:47:25,040
It works and a lot of people do
well on that.

862
00:47:25,040 --> 00:47:28,120
A lot of people just make, you
know, an extra three, $400.00 a

863
00:47:28,120 --> 00:47:30,360
month on there.
But all they're, you know, doing

864
00:47:30,360 --> 00:47:33,160
is posting a little bit of extra
content and, and they're getting

865
00:47:33,160 --> 00:47:35,160
paid for it.
So it's, it's, it's buying their

866
00:47:35,160 --> 00:47:36,720
guitar strings and stuff like
that.

867
00:47:38,240 --> 00:47:40,960
You know, I mean, you can look
at it from a lot of different

868
00:47:40,960 --> 00:47:44,400
perspectives, but it could be
your main income that allows you

869
00:47:44,400 --> 00:47:47,000
to go and play a gig that you
want to play, but they don't

870
00:47:47,000 --> 00:47:49,400
have the money to pay you.
You can, you can go do a

871
00:47:49,400 --> 00:47:52,040
festival or something like that.
Instead of having to go over

872
00:47:52,040 --> 00:47:54,680
here where you're going to make
$2500 tonight.

873
00:47:54,920 --> 00:47:57,240
You can go to a festival for
free because you know, you're

874
00:47:57,240 --> 00:47:59,760
going to be in front of bigger
audience and you've got money

875
00:47:59,760 --> 00:48:02,720
coming in mailbox money.
As far as what works, I would

876
00:48:02,720 --> 00:48:05,120
look at the artists that are
most successful at that.

877
00:48:05,400 --> 00:48:08,320
Taylor Swift being, you know,
the ultimate in building the

878
00:48:08,320 --> 00:48:12,680
Swifties and how she how she
relates, how everything that she

879
00:48:12,680 --> 00:48:17,720
does relates directly to her,
her fans is done for her fans.

880
00:48:17,720 --> 00:48:20,640
And she serves them in ways that
no other artist has, and

881
00:48:20,640 --> 00:48:22,840
therefore that she's got the
most loyal fan base.

882
00:48:24,240 --> 00:48:27,440
And and it's not done
necessarily with an app.

883
00:48:27,440 --> 00:48:29,880
I feel like the label, I think
we're already seeing the

884
00:48:29,880 --> 00:48:33,200
positive effects of it.
For example, sometimes Leslie

885
00:48:33,200 --> 00:48:37,240
and I will just Google, you
know, just Lovejoy or the name

886
00:48:37,240 --> 00:48:39,720
of their new song pay and
display and we'll see all these

887
00:48:39,720 --> 00:48:41,960
little random articles.
But you can tell that they were

888
00:48:41,960 --> 00:48:45,160
all taken from what appears to
be a press release.

889
00:48:45,560 --> 00:48:47,760
So and that's something that
we've never seen before.

890
00:48:47,760 --> 00:48:51,240
So I really think that Warner
is.

891
00:48:52,240 --> 00:48:54,760
We're starting to see the.
It's starting to see the.

892
00:48:54,880 --> 00:48:57,240
Yeah, yes, the fruits of the
labor, Yeah, yes.

893
00:48:57,280 --> 00:49:00,040
I think, I, I think that they're
going to invest a little bit,

894
00:49:01,120 --> 00:49:02,640
which which is nice to see and I
mean.

895
00:49:02,640 --> 00:49:04,240
Nice.
They're just well deserved.

896
00:49:04,480 --> 00:49:06,880
Yeah, I mean, these guys might
have, you know, almost a million

897
00:49:06,880 --> 00:49:10,360
listeners on Spotify, but
they're still, they're still

898
00:49:10,360 --> 00:49:16,000
relatively small, having played
all these large festivals and

899
00:49:16,000 --> 00:49:18,280
whatnot, but.
Still the early stages.

900
00:49:18,280 --> 00:49:20,840
Of their career, yeah, yeah,
it's they're really just

901
00:49:20,840 --> 00:49:23,480
starting to breakthrough here,
so it's nice to see those things

902
00:49:23,480 --> 00:49:26,480
happening.
Yeah, 1,000,000 listeners is

903
00:49:26,480 --> 00:49:33,640
cool, but you like I had one
artist that I was managing and

904
00:49:33,640 --> 00:49:39,800
we did a a four month PR
campaign for an EP that he was

905
00:49:39,800 --> 00:49:41,360
coming out.
So every two weeks we was

906
00:49:41,360 --> 00:49:46,080
putting out a new single and
then we released the EP and we

907
00:49:46,080 --> 00:49:52,680
got him from 3000 monthly
listeners to 150,000 monthly

908
00:49:52,680 --> 00:49:57,960
listeners in that four months.
And then the campaign ended and

909
00:49:57,960 --> 00:50:01,360
he didn't have anything new to
release And literally within two

910
00:50:01,360 --> 00:50:04,880
months he was down to about
10,000 and it's dwindled it from

911
00:50:04,880 --> 00:50:07,280
there.
So, you know, the monthly

912
00:50:07,280 --> 00:50:09,560
listeners is great.
It, it means that you're going

913
00:50:09,560 --> 00:50:12,000
to make some income.
They're going to make maybe

914
00:50:12,000 --> 00:50:17,640
$3000 off of 1,000,000 streams.
You know, I mean, it's just,

915
00:50:17,840 --> 00:50:23,880
it's not, it's not a ton and,
and it's got to be kept up.

916
00:50:24,560 --> 00:50:26,600
You know, people have to want to
keep listening.

917
00:50:28,400 --> 00:50:32,840
Well, if it good stuff.
I mean a lot.

918
00:50:33,240 --> 00:50:36,000
I've looked at it.
I'm working this documentary

919
00:50:36,000 --> 00:50:39,400
with a lot of classic country
artists from the Sixties, 70s

920
00:50:39,400 --> 00:50:41,320
and 80s who have a million
listeners.

921
00:50:41,840 --> 00:50:43,800
OK.
It's amazing because they're not

922
00:50:43,800 --> 00:50:45,720
in, you know, they're just their
music.

923
00:50:45,720 --> 00:50:47,680
Was that popular?
That's great.

924
00:50:48,800 --> 00:50:52,800
I just Speaking of the older
times or even for me and Angie

925
00:50:53,120 --> 00:50:57,560
music videos, it makes me crazy
because they've lovejoys clearly

926
00:50:57,560 --> 00:51:01,480
spent a lot of time and money
and effort on their music videos

927
00:51:01,480 --> 00:51:05,120
for this album and there's like
mini movies and actually they're

928
00:51:05,120 --> 00:51:06,640
all going to connect into a
trilogy.

929
00:51:06,640 --> 00:51:09,760
It's really neat.
But it's so disappointing that

930
00:51:09,760 --> 00:51:13,600
MTV feel like I'm a curmudgeon
here, but it's so disappointing

931
00:51:13,600 --> 00:51:15,400
MTV doesn't show music videos
anymore.

932
00:51:15,680 --> 00:51:18,920
And I know that maybe it's
because consumers consume on

933
00:51:18,920 --> 00:51:23,680
YouTube now more, but don't do
you think that it would be of,

934
00:51:23,880 --> 00:51:27,960
like, a huge value to artists if
there were a channel again that

935
00:51:27,960 --> 00:51:30,760
just played where you could just
keep your TV on and have music

936
00:51:30,760 --> 00:51:33,880
videos playing all day And then
you'd sort of like, by osmosis

937
00:51:34,160 --> 00:51:37,600
and repetition, observe new
artists in that way, Yeah.

938
00:51:39,120 --> 00:51:42,200
A lot of the networks have that.
I mean, on my Roku, I've got

939
00:51:42,320 --> 00:51:45,480
probably 30 different channels
that I can just watch videos

940
00:51:45,760 --> 00:51:48,760
from different genres.
So, so they they definitely have

941
00:51:48,760 --> 00:51:50,640
them.
OK, I didn't know that.

942
00:51:50,640 --> 00:51:53,600
I just thought MTV, you know,
everybody always says what

943
00:51:53,600 --> 00:51:55,000
happened.
It used to be music, television.

944
00:51:55,000 --> 00:51:59,680
Now it's silly show and they the
VMAs, but they don't show

945
00:51:59,680 --> 00:52:01,000
videos.
It's just so strange, Yeah.

946
00:52:02,760 --> 00:52:04,720
No, I I didn't.
I didn't know that either.

947
00:52:04,760 --> 00:52:07,320
We have to promote that and work
and publicize that.

948
00:52:07,320 --> 00:52:11,600
And no kidding.
As far as fan driven promotion

949
00:52:11,960 --> 00:52:16,680
that fans put together
themselves without any outside

950
00:52:16,800 --> 00:52:22,480
help from the band, are there
any big no no's when it comes to

951
00:52:23,360 --> 00:52:25,280
putting something like that
together?

952
00:52:25,320 --> 00:52:27,160
Is there anything we should not
be doing?

953
00:52:28,840 --> 00:52:31,760
Well, obviously the biggest
thing is infringing on their

954
00:52:31,760 --> 00:52:34,280
copyrights.
Yeah, sure.

955
00:52:35,920 --> 00:52:38,800
That and then saying anything
that puts them down or puts them

956
00:52:38,800 --> 00:52:40,760
in a bad light, even if you
don't mean to do it.

957
00:52:41,080 --> 00:52:43,520
You know, anything like that
would would be a challenge.

958
00:52:43,520 --> 00:52:45,800
Most of what you're going to
see, you know, if you repost

959
00:52:45,800 --> 00:52:48,440
stuff that's online, then it's
already online and you won't

960
00:52:48,440 --> 00:52:51,280
have a problem with that.
Most, most of the stuff you

961
00:52:51,280 --> 00:52:54,680
won't have a problem with what
you cannot do.

962
00:52:54,680 --> 00:52:58,160
Some of the things you can't do
is like use their image to

963
00:52:58,160 --> 00:53:02,720
market something else, like to
market your services, you know,

964
00:53:02,720 --> 00:53:05,600
might be able to, you'd have to
get permission from them to, to

965
00:53:05,600 --> 00:53:09,840
do that.
But it's, but it's pretty much

966
00:53:10,200 --> 00:53:13,680
staying away from the copyright
infringement things that they

967
00:53:13,680 --> 00:53:17,480
don't want out there, things
that you know a photographer

968
00:53:17,480 --> 00:53:21,120
took and you don't have
permission to, to, to put to

969
00:53:21,120 --> 00:53:23,200
post it.
And trust me, they will come

970
00:53:23,200 --> 00:53:26,520
after you.
It's interesting that you talk

971
00:53:26,520 --> 00:53:30,480
about posting things that might
put them in a disparaging light,

972
00:53:30,480 --> 00:53:33,560
because I think sometimes
there's a lot of fans that post

973
00:53:33,560 --> 00:53:36,440
things and maybe they're trying
to be funny, but they don't

974
00:53:36,440 --> 00:53:40,360
think about what they're posting
and the way that it could be

975
00:53:40,640 --> 00:53:42,920
interpreted there.
Is, I mean, it's the same thing

976
00:53:42,920 --> 00:53:44,560
with all the comments that you
get and everything.

977
00:53:44,800 --> 00:53:46,560
Those negative comics make a
difference.

978
00:53:46,560 --> 00:53:47,920
They make a difference in the
algorithms.

979
00:53:47,920 --> 00:53:51,560
They make a difference in the in
just the whole demeanor that the

980
00:53:51,560 --> 00:53:54,600
whole bands, you know, the way
they feel about themselves.

981
00:53:54,840 --> 00:53:59,080
That's a good question actually.
With regard to negative

982
00:53:59,080 --> 00:54:06,480
comments, do you feel it's best
to ignore, respond, delete,

983
00:54:06,560 --> 00:54:07,760
block?
Like what do you?

984
00:54:07,920 --> 00:54:09,240
How's the best way to handle
that?

985
00:54:10,040 --> 00:54:12,280
Ignore or delete.
Do not respond.

986
00:54:12,560 --> 00:54:13,920
You don't want to give them the
attention.

987
00:54:13,920 --> 00:54:16,440
That's all they're looking for.
They want somebody, want to get

988
00:54:16,440 --> 00:54:18,880
somebody riled.
Yeah.

989
00:54:19,480 --> 00:54:22,520
So don't take the bait, OK?
Yep, don't take the bait.

990
00:54:23,000 --> 00:54:24,960
Yeah.
Sometimes, yeah, they'll move on

991
00:54:24,960 --> 00:54:27,600
to somebody else.
We try to keep our advice fan

992
00:54:27,600 --> 00:54:31,400
focused, but sometimes it's like
you want to like grab them, do

993
00:54:31,400 --> 00:54:33,240
VIP packages.
Oh good, you did it so.

994
00:54:34,240 --> 00:54:38,720
If the fans can ask for the
stuff that they want, you give

995
00:54:38,720 --> 00:54:41,960
them a way to ask for it, or you
do a survey and then you pass

996
00:54:41,960 --> 00:54:45,680
that on to the band, then maybe
the band will get the idea, but

997
00:54:45,680 --> 00:54:48,920
the label will also help them
guide them on what the best

998
00:54:48,920 --> 00:54:50,920
practices are.
And I never thought about that,

999
00:54:51,120 --> 00:54:52,840
Leslie.
I bet there has to be somebody

1000
00:54:52,840 --> 00:54:55,280
from the label that's on the
Reddit keeping an eye on and

1001
00:54:55,400 --> 00:54:57,960
sneaking.
People are saying they're.

1002
00:54:58,160 --> 00:55:00,320
Tracking the social media,
they're tracking everything.

1003
00:55:00,680 --> 00:55:03,800
They're tracking every time you
use one of the hashtag Lovejoy

1004
00:55:04,160 --> 00:55:07,640
or hashtag one of the band
members every time, you know,

1005
00:55:07,880 --> 00:55:11,280
they're, they're using services
like social blade and stuff

1006
00:55:11,600 --> 00:55:14,920
that, you know, will track
everything and, and the

1007
00:55:14,920 --> 00:55:18,480
engagement by the hour, whether
it goes up and goes down.

1008
00:55:18,880 --> 00:55:20,520
You know, we made this
announcement.

1009
00:55:20,520 --> 00:55:23,640
He was on this TV show.
Did it, did it bump, you know,

1010
00:55:23,640 --> 00:55:25,160
give us a spike in the social
media.

1011
00:55:25,520 --> 00:55:28,000
I mean, they they they manage
all of that.

1012
00:55:28,520 --> 00:55:32,560
And so, yeah, anything that you
can do to get the attention of

1013
00:55:32,640 --> 00:55:35,480
somebody on the team makes a
world of difference.

1014
00:55:35,480 --> 00:55:38,480
And instead of talking directly
to the band, you might be

1015
00:55:38,480 --> 00:55:41,680
talking directly to the manager
who's telling the band what to

1016
00:55:41,680 --> 00:55:44,200
do.
Leslie, you have a question on

1017
00:55:44,200 --> 00:55:45,480
here that I think is really
great.

1018
00:55:45,480 --> 00:55:48,440
What are some common
misconceptions about how artists

1019
00:55:48,440 --> 00:55:50,080
earn a living or define their
success?

1020
00:55:50,120 --> 00:55:52,360
There's a lot of people that
think if you're able to go

1021
00:55:52,360 --> 00:55:55,760
overseas and do a tour, quote,
UN quote, a world tour, that

1022
00:55:55,760 --> 00:55:57,880
you're rich and you've got all
this money to throw around.

1023
00:55:58,400 --> 00:56:00,600
And we know that's not
necessarily the case.

1024
00:56:00,600 --> 00:56:04,960
What are some common
misconceptions about how artists

1025
00:56:04,960 --> 00:56:07,080
actually make their bread and
butter?

1026
00:56:07,760 --> 00:56:09,040
Well, you're pretty much hitting
on it.

1027
00:56:09,040 --> 00:56:12,000
You know, touring is a very,
very expensive endeavor.

1028
00:56:12,000 --> 00:56:15,760
And a lot of times it takes like
a label to give you an advance

1029
00:56:16,080 --> 00:56:19,600
to, you know, tour support to be
able to do that.

1030
00:56:19,600 --> 00:56:22,200
Sponsors, they have to go and
get sponsors to be able to

1031
00:56:22,200 --> 00:56:24,920
afford to tour because you can't
do it on your own.

1032
00:56:24,920 --> 00:56:28,080
You can't you just can't pay
those kind of bills and, and

1033
00:56:28,080 --> 00:56:31,760
makes enough money at the
venues, especially if you're not

1034
00:56:32,000 --> 00:56:35,400
always the the headliner and you
know, you're doing a lot of

1035
00:56:35,400 --> 00:56:37,800
opening acts and everything.
You're making very little money.

1036
00:56:38,280 --> 00:56:39,760
You're making money off of your
merch.

1037
00:56:39,760 --> 00:56:41,680
That's basically the the big
thing that you're doing.

1038
00:56:41,840 --> 00:56:45,320
Just because they have a million
followers on Spotify, that is

1039
00:56:45,320 --> 00:56:48,240
not paying a whole lot of bills.
It's definitely not paying.

1040
00:56:48,240 --> 00:56:50,600
It's not going to pay for enough
for them to record another

1041
00:56:50,600 --> 00:56:53,160
album.
It's just, it's frustrating, but

1042
00:56:53,280 --> 00:56:56,520
it's, it's the truth.
Artists, artists make their

1043
00:56:56,520 --> 00:57:00,920
money off of merch and
especially if they control the

1044
00:57:00,920 --> 00:57:02,960
merch.
So depending on the record label

1045
00:57:02,960 --> 00:57:05,680
deal, they may have to pay a
percentage of the merch to the

1046
00:57:05,680 --> 00:57:08,400
record label if they're part of
a 360 deal.

1047
00:57:08,480 --> 00:57:11,520
But, you know, if the artists
can control the merch and the

1048
00:57:11,520 --> 00:57:14,880
artists can control the fan club
so that they're the ones that

1049
00:57:14,880 --> 00:57:18,000
are collecting the e-mail
addresses and they are the ones

1050
00:57:18,000 --> 00:57:22,920
that are servicing the fans,
then then their income is solid.

1051
00:57:24,080 --> 00:57:26,960
But outside of that, everything
else is vulnerable.

1052
00:57:27,080 --> 00:57:29,080
And what about, you know, buying
music?

1053
00:57:29,080 --> 00:57:32,280
I know when a single comes out
or a single is about to come

1054
00:57:32,280 --> 00:57:33,720
out, this is something I just
thought of.

1055
00:57:33,720 --> 00:57:36,200
That's like every time they
announce a single's going to

1056
00:57:36,200 --> 00:57:39,320
come out this day or an album's
coming out this day, we say pre

1057
00:57:39,320 --> 00:57:40,960
save.
That means a lot to the people

1058
00:57:40,960 --> 00:57:43,600
in the industry to see pre saves
or pre-orders.

1059
00:57:44,120 --> 00:57:46,960
And then we encourage them to
buy the songs and download the

1060
00:57:46,960 --> 00:57:50,000
songs.
I would imagine that's valuable

1061
00:57:50,000 --> 00:57:52,360
and I know we just found a
resource you probably are

1062
00:57:52,360 --> 00:57:55,360
familiar already, station head,
a place where you can have

1063
00:57:55,360 --> 00:57:58,920
listening parties and it's
connected to your Spotify.

1064
00:57:58,920 --> 00:58:02,080
So there's no copyright issues
and the participants can

1065
00:58:02,080 --> 00:58:05,680
actually buy and download the
songs while they're in the

1066
00:58:05,680 --> 00:58:08,120
stream and communicate contact,
you know, communicating with

1067
00:58:08,120 --> 00:58:09,520
you.
So.

1068
00:58:10,400 --> 00:58:14,560
Everything is engagement,
engaged with your fans and and

1069
00:58:14,560 --> 00:58:18,120
on the fan side, engage with the
band because every time, every

1070
00:58:18,120 --> 00:58:20,240
time there's an engagement, it's
tracked.

1071
00:58:20,560 --> 00:58:25,800
So if you pre save a song, then
that tells Spotify when this

1072
00:58:25,800 --> 00:58:29,720
song comes out, when it's the
official release date, the ad

1073
00:58:29,720 --> 00:58:32,560
date.
We need to add that to this

1074
00:58:32,560 --> 00:58:35,280
playlist and this playlist and
this playlist because it's

1075
00:58:35,280 --> 00:58:37,960
already this popular.
So their algorithms are looking

1076
00:58:37,960 --> 00:58:39,760
at that.
If there's nobody pre saving it,

1077
00:58:39,760 --> 00:58:42,240
they're saying, well, you know,
we'll see what happens, see if

1078
00:58:42,240 --> 00:58:45,880
it goes viral somehow.
But they don't, they're not

1079
00:58:46,320 --> 00:58:48,880
proactive in doing that.
And Spotify will get on your

1080
00:58:49,080 --> 00:58:51,360
your side.
They want you to sell more, they

1081
00:58:51,360 --> 00:58:54,120
make more money.
They want people.

1082
00:58:54,680 --> 00:58:59,640
When bands have a deal with
Spotify where I had this with

1083
00:58:59,640 --> 00:59:02,960
that cheer and I had a Green Day
and I think other little bands

1084
00:59:03,520 --> 00:59:06,080
where I'll get an e-mail from
Spotify saying because you're a

1085
00:59:06,080 --> 00:59:09,800
fan of Green Day, you can get
this limited edition T-shirt

1086
00:59:10,440 --> 00:59:12,520
only through, you know, this
link.

1087
00:59:13,320 --> 00:59:15,480
Thank you for your support.
Thank you from Green Day or

1088
00:59:15,480 --> 00:59:17,920
whatever it is.
I wish I would love to see them

1089
00:59:17,920 --> 00:59:23,800
do something like that.
That's where that's where the

1090
00:59:23,800 --> 00:59:25,320
relationship from the label
comes.

1091
00:59:25,360 --> 00:59:28,720
In and the download and like I
remember Angie, you saying not

1092
00:59:28,720 --> 00:59:30,520
just buying the song but
downloading it.

1093
00:59:30,520 --> 00:59:33,400
Is that does that make a
difference if someone buys a

1094
00:59:33,400 --> 00:59:35,520
song and then forgets to
download it because they usually

1095
00:59:35,520 --> 00:59:39,280
stream it or is there more value
in playing the thought song?

1096
00:59:39,280 --> 00:59:42,880
Like how does that?
That's a good question.

1097
00:59:42,880 --> 00:59:45,440
I don't really know.
I mean, not that many people are

1098
00:59:45,440 --> 00:59:48,040
buying the song anymore,
unfortunately.

1099
00:59:48,360 --> 00:59:52,160
So that's not a huge income for
the artist, but you know, they

1100
00:59:52,160 --> 00:59:54,400
are definitely obviously buying
vinyl.

1101
00:59:54,400 --> 00:59:56,880
What's interesting is that I
don't know what the number is it

1102
00:59:56,880 --> 00:59:59,960
something like 85% of the vinyl
this bought has never played.

1103
01:00:00,280 --> 01:00:02,240
It's just kept as a collector's
item.

1104
01:00:02,680 --> 01:00:04,720
And Angie?
Sounds about right.

1105
01:00:06,120 --> 01:00:13,400
And so, you know, it's, you need
to, you need to do everything as

1106
01:00:13,400 --> 01:00:16,840
a fan, you need to do everything
you can to trigger those

1107
01:00:16,840 --> 01:00:19,640
algorithms.
And that means watching YouTube

1108
01:00:19,640 --> 01:00:22,080
videos.
It means using their, their song

1109
01:00:22,080 --> 01:00:25,760
in your video.
It means sharing and reposting,

1110
01:00:26,840 --> 01:00:28,360
sharing and reposting
everything.

1111
01:00:28,680 --> 01:00:33,520
All of those things trigger
Spotify or TikTok or Instagram

1112
01:00:33,520 --> 01:00:36,480
to say, oh, we need to push this
more because it's popular.

1113
01:00:36,480 --> 01:00:39,040
You've.
Given us like a wealth of

1114
01:00:39,040 --> 01:00:41,680
information.
I can't wait to watch this back

1115
01:00:41,680 --> 01:00:44,040
and.
Take note, this is amazing.

1116
01:00:44,040 --> 01:00:45,840
I feel like I could talk to you
forever.

1117
01:00:46,040 --> 01:00:48,560
You're so knowledgeable.
And I have to say, I was looking

1118
01:00:48,880 --> 01:00:52,040
at your website the other night,
briefly looking through the

1119
01:00:52,040 --> 01:00:54,400
online program.
And obviously I have nothing to

1120
01:00:54,400 --> 01:00:57,880
do with the music industry, but
it all looked so fascinating

1121
01:00:57,880 --> 01:01:01,240
that I wanted to like go through
it myself just to learn about

1122
01:01:01,240 --> 01:01:04,320
everything you can.
You can get a two months, two

1123
01:01:04,320 --> 01:01:06,960
week, you know, free trial.
There's a lot of good

1124
01:01:06,960 --> 01:01:10,960
information from from people on
there who talk about their fan

1125
01:01:10,960 --> 01:01:14,480
clubs and talk about, you know,
and, and talk about, you know,

1126
01:01:14,480 --> 01:01:17,600
switching gears and how they had
to try to move their fans from

1127
01:01:17,920 --> 01:01:19,760
loving them for this to loving
them for that.

1128
01:01:19,760 --> 01:01:23,320
I manage an artist with 25,000
followers.

1129
01:01:23,800 --> 01:01:26,760
Most of it she built because
she's known for her comedy

1130
01:01:26,760 --> 01:01:29,280
skits.
But she is a singer, a great

1131
01:01:29,280 --> 01:01:32,160
singer and a great songwriter
and an actress.

1132
01:01:32,400 --> 01:01:36,040
And so we're working really hard
to get everybody to know about

1133
01:01:36,040 --> 01:01:38,320
that too.
And not everybody's going to

1134
01:01:38,320 --> 01:01:40,240
love her music.
So we're going to lose some

1135
01:01:40,240 --> 01:01:42,120
people because it's not all
comedy.

1136
01:01:42,360 --> 01:01:44,520
She's still doing the comedy,
but but you know, it's a

1137
01:01:44,520 --> 01:01:48,400
balancing act and everything.
So if an artist wants to change

1138
01:01:48,400 --> 01:01:51,080
a little bit of direction,
change a band member, it doesn't

1139
01:01:51,080 --> 01:01:52,920
matter.
Add a band member, everything is

1140
01:01:52,920 --> 01:01:55,720
going to affect how people
perceive it.

1141
01:01:55,720 --> 01:01:58,040
Is it still the same as it was?
Well, I thank you.

1142
01:01:58,040 --> 01:02:00,840
I thank you for your time and.
Absolutely, my pleasure.

1143
01:02:01,480 --> 01:02:03,640
Thank you so much.
We really appreciate it.

1144
01:02:03,680 --> 01:02:05,200
You bet.
All right.

1145
01:02:05,200 --> 01:02:06,920
Take.
Take.

1146
01:02:08,080 --> 01:02:09,120
Care.
Thanks so much.

1147
01:02:09,720 --> 01:02:11,320
Thank you all for listening
today.

1148
01:02:11,320 --> 01:02:13,120
I hope you enjoyed this
interview.

1149
01:02:13,120 --> 01:02:16,440
Please leave us some words in
the comments, send us an e-mail,

1150
01:02:16,520 --> 01:02:22,240
go to our website lvjynation.com
anytime and we'd love to hear

1151
01:02:22,240 --> 01:02:25,560
your thoughts and if you have
ideas for other interviews,

1152
01:02:25,760 --> 01:02:27,280
other guests we could have on
the show.

1153
01:02:28,080 --> 01:02:32,720
Until next time, until we hear
from next time, when we hear

1154
01:02:32,720 --> 01:02:35,600
from Dave about the gig, take
care and keep streaming.

1155
01:02:36,880 --> 01:02:38,400
See you later.
Bye bye.